“You may read about merging jazz with tango, or jazzing up tango, but the real goal here is to push tango to unimagined extremes.” TOM HULL (Village Voice)
“The bassist is a towering figure in the world of modern tango ” RAUL D’GAMA SOUZA, latinjazznet.com
“We’re in a golden age of jazz-tango fusion, and bassist Pablo Aslan is one of the main reasons. (…) His pulsing lines are the heartbeat of a new music.” JAZZIZ
“Pablo will continue to define the tango idiom in his musically inimitable way…Pablo Aslan..The right man….In the right way…At the right time for tango jazz.” EJAZZNEWS
“Bassist Pablo Aslan has long been in the forefront of forging an alliance between jazz and the tango. His approach has been artful, keeping the body of the tango intact while letting jazz take the music into new pastures.” JERRY D’SOUZA – ALL ABOUT JAZZ
Argentine-born Pablo Aslan is in demand for his skills as a producer, bassist, and educator, and for his knowledge of traditional and contemporary tango. His most recent album as a leader is Piazzolla in Brooklyn (Soundbrush Records), a tribute to the late Nuevo Tango master. His previous CD, Tango Grill (Zoho Music), was nominated for a Latin Grammy Award for Best Tango Album and a Grammy for Best Latin Jazz Album.
Currently he is a member of the Glass House Orchestra, a multinational ensemble that performs in Europe and North America, and the Astoria Tango Orchestra. He plays regularly with small ensembles in the New York City area, including a three year ongoing residence at Zinc Bar with Grammy nominee Emilio Solla.
Aslan recorded Tango Jazz: Live at Jazz at Lincoln Center (Paquito Records 2010) with Cuban maestro Paquito D'Rivera and toured Europe the following year as music director of D'Rivera's Tango Jazz Septet. Other recent productions include “Todo Corazon” (Jazzheads) by flutist Mark Weinstein, “Romance” (Soundbrush Records) by pianist/composer Fernando Otero, “Live at Caffe Vivaldi” and “Te Extraño Buenos Aires”(Soundbrush Records) with pianist/composer Roger Davidson.
Aslan has performed and recorded with Yo-Yo Ma, Shakira, Lalo Schifrin, Denyce Graves, Osvaldo Golijov, Pablo Ziegler, Frank London, the New World Symphony, and the Philadelphia Orchestra, among many others. He has produced over a dozen albums for the Soundbrush label, including the 2007 Latin Grammy Winner Te Amo Tango by Uruguayan bandoneonist Raul Jaurena. He is currently at work on albums by the Glass House Orchestra, Tributango quartet, a CD of original compositions for Soundbrush Records, and a series of electronic tangos for dancers.
An active researcher and educator, he has produced educational programs for Lincoln Center Institute, Carnegie Hall Neighborhood Concerts, and Arts Connection in NYC, and lectured and taught at several universities throughout the US, including Harvard, Yale, and UCLA. He served as the Artistic Director of the Reed Tango Music Institute in 2013-14 and is currently Featured Artist at the Indiana University Tangueros Conference.
“The late, great Nuevo Tango master Astor Piazzolla sidled up to the jazz aesthetic in his way, and bassist Pablo Aslan continues to carry the jazz-tango torch, as heard on this beautiful new recording.” JOSEF WOODARD – JAZZ TIMES
“The themes are clearly defined, while each improvised adventure comes complete with thrills and beauty. Recommended, Aslan’s Jazz/Tango project works wonders on the soul.” CADENCE
“Bassist Pablo Aslan has pulled it off here on this spirited recording that retains all of the charm and intrigue of Argentina with the collective spontaneity of American freedom.” ALLMUSIC.COM
“From the level of play to the artistic conception, there is nothing “standard” about this work and that is both its strength and beauty.” JAZZTIMES
“Though you might not think of tango as “improvised”, it is very much so on this splendid album and will surely be a delight to those among us who want to hear music that’s created on the fly. It takes real talent and vision to do this, especially with a musical form as recognized as is tango.” DICK METCALF
“Aslan creates improvisatory alchemy with artists at home in both genres. Tango as Miles, Coltrane, Evans and Chambers might have conceived it.” GLOBAL RHYTHM